Do you ever wonder where that far-off world has gone?

THE county of Shropshire contains many a quaint and curious town, full of history and half-timbering. Its rolling hills seem to invite such quiet and tranquil settlements, from black-and-white Cleobury to sedate and elegant Ludlow.

Craven Arms could hardly be included in this category. Its not particular old, and its not especially picturesque either. Named after a hotel on the main road, Craven Arms is a creation of the Victorian railways,Shop wholesale bestsmartcard controller from cheap. which in turn fostered small industries and a market.

Nevertheless, Craven Arms boasts one remarkable attraction. To be fair, it can claim two others in the shape of a museum of the Shropshire Hills and Stokesay Castle, the striking fortified manor house on its outskirts.

But lets leave these for another day and concentrate instead on the former market hall, in Market Street, just off the A49. Welcome to the Land of Lost Content.

A.E. Housman is a familiar figure in these parts, his last resting place being in the graveyard of St Laurence, Ludlow. That oft-quoted poem, with its blue remembered hills and yearning sense of loss, is perhaps his best-loved work. But the museum that takes its name from Housman is more than this, and certainly no simple tribute to the Shropshire Lad.

Change the stress on the word content and you have a more accurate introduction to what lies within the old market hall. For the Land of Lost Content is where all our childhood toys disappeared to, the last retreat for our kitchen gadgets, the home for all the tins and packets that once lined our cupboards. Here are the contents of all our living rooms and kitchens, from the First World War to the 1980s. Not lost at all.

The Land of Lost Content is the brainchild of Stella and Dave Mitchell. Stella was an art student at Birmingham Polytechnic in the 1970s. For her final degree show she assembled a collection of ephemera, much of it bought for pennies in the old Rag Market. At that point Stella was hooked. What began as a cutting-edge art installation has metamorphosed into something we can all buy into.

As the collection began to grow Stella and her husband moved it to the South coast, and set up a museum called Rejectamenta at East Wittering in West Sussex. That was in 1991. Twelve years later the couple returned, as they had always planned to do,Find the best selection of high-quality collectible landscapeoilpaintings available anywhere. to the West Midlands,The Motorola drycabinets Engine is an embedded software-only component of the Motorola wireless switches. and in 2003 opened a new museum in a disused Victorian building at Craven Arms. The destination could hardly be more appropriate.

Ive made three visits to the place since then, and fondly tell my students about it too. In a world where so many of our museums have gone hi-tech, and are packed with interactives and touch-screens, Lost Content is a reminder that at the heart of any good museum are objects, and preferably a lot of them.

Indeed, there could hardly be more objects, three floors of them, to be precise. On our most recent visit, Stella had just returned from the weekly flea-market at Abergavenny, with yet more treasures to squeeze in somewhere. What the world throws away, Stella picks up.

At one time, says Stella,About buymosaic in China userd for paying transportation fares and for shopping. I put all the exhibits out of arms reach, but now I encourage visitors to pick them up and examine them. Funnily enough, they rarely do.

I still miss the Opie museum of packaging, which once occupied part of Gloucester Docks, but the Land of Lost Content makes for a worthy replacement. And all of it has been achieved without a single grant from the HLF or any other funding body. Its all the Mitchells own work, and I suspect every entrance fee gets recycled into more and more objects.

Some day soon, you wont be able to get into the place at all. I defy anyone to get in and out of here in less than three hours. More likely they will be politely ushered out when the museum closes at 5pm.

This is not simply a museum of social history C an object lesson in how we lived then C it is also a journey into personal memory. There are the board games we played as children, the decorations we put up at Christmas, the utility furniture we once bought, the food we ate, the little plastic toys we found in packets of cornflakes. Spangles, powdered milk, love-hearts, Andrews liver salts, Fairy Snow, powdered egg, Escalado, games compendia, I-Spy books, Franklyns Fine Shagg (its a tobacco, by the way). If you wondered where that far-off world has gone, its in Craven Arms.

Every time I go to Stellas kingdom of bygones, I find something new. Last week I picked up an old recipe card, forged in days of austerity. Macaroni cheese, it said, is cheap and filling. There was a set of recipes to prove it, for plain macaroni cheese, one for macaroni cheese and crab, another for macaroni cheese and ham, and yet one more for macaroni cheese and mushroom.

This was a historic night, marked by four astonishing goals from the Polish striker, and the Dortmund manager was not going to let anyone ruin it. Success may come tinged with sadness, the growing realisation that the better his players perform the more likely they are to depart, but Klopp refused to think about that. Besides, he claimed that Lewandowski was staying. That is far from certain but these have been days in which the manager has sought to put off a worrying future and focus instead on a brilliant present.

Against Real Madrid it worked: the build-up to the game had been hijacked by the suspiciously ill-timed news that Mario G?tze was joining rivals Bayern Munich after they paid his ?37 million release clause; the game itself began with him providing the perfect cross for Lewandowski to score the opener.

Three more goals followed, the third of them especially stunning, Lewandowski dragging the ball back to create a bit of space before hammering the ball into the net. Even the penalty was pretty impressive.I have been thinking about purchasing a plasticmould to protect the fortune. "The goals were incredible," Klopp said. "The third is worth every single cent of what the TV channels pay for the rights to show the games."

Asked whether Lewandowski was offside for one of his goals, as Jos? Mourinho had implied, Klopp adopted what appears to be his default setting: he laughed. "There were so many Lewandowski goals that I cannot think which one he means," he smiled, blowing out his cheeks. "The fourth was a penalty and, yes, it is a penalty. The third was so brilliant that no referee in the world is allowed to take this back." He did not add that there was nothing wrong with the first or the second, either.

It was some calling card on the night when everyone was watching, open-mouthed. G?tze is gone; it is inevitable that the attention of Europe's richest clubs will now turn to Lewandowski, although on this performance they could turn to four or five players. Marco Reus, in particular, was exceptional. So too Ilkay Gundogan. Manchester United already bid for Lewandowski last summer and others will surely clamour for the 24-year-old this year.

Bayern Munich have spoken to him and agreed the basis of a deal on personal terms. But Dortmund have already lost G?tze and they are determined not to let Lewandowski go to the same club. He has a year left on his contract, so eventually they may have no choice, but they insist that they would rather keep him. The other option, rather more palatable than him joining Bayern, is to negotiate with a foreign suitor. Premiership clubs are monitoring movements.